Sketch: Toledo, F. 305, Demo series 69, 1937, 1st. state ed. 25, there was also a 2nd. state ed. of 8, 6-15/16 x 4-15/16, signed and extensively inscribed in pencil by Arms, dedicated to George Nelson, this imp. on cream laid paper. An etched note in the lower left corner of the plate states that it was completed in 2-1/2 hours.

$175

Harkness Tower, Yale University, Etching, 1939 or earlier, ed. probably 100, 8-7/8 x 6-15/16, signed, dated and dedicated in pencil, in the plate, on buff laid PRAGA watermarked paper with small margins as printed, two small lightened area top margin edge from previous tape hinges, A fine impression of this wonderful view of the Yale landmark in downtown New Haven, CT. Balthazar was a Yale Law School graduate, class of 1915. In 2010 a selection of prints by the artist was exhibited in "Travelers Tales" an exhibition of work by American printmakers based in Connecticut, held at the Mattatuck Museum in Waterbury.

$350

(Copse of Trees), etching, 1912, edition unknown, 4-5/16 x 5-15/16, signed and dated in the plate and signed in pencil, on stiff, cream simili-japan paper.

$225

Yellow Tulips, Color Lithograph, E.A. (artist's proof), ed. 50, plus proofs. 1960's, 14-1/4 x 11-1/8, signed & notated E.A. in pencil, on cream wove RIVES watermarked paper. A particularly well balanced and cheery floral subject by the celebrated French mid century master.

$1,500

Bois de Finge, lithograph, ca. 1851, edition unknown, one of twenty landscape subjects from Sites Varies de Paysages par Calame, published in Paris by Francois Delarue, 1846-50, 16 x 11-15/16, signed in the stone with the scratched signature at lower left, title and publication text in the margin below image, on cool white wove paper. Calame was the premiere Swiss master of landscape lithography in the 19th century. His formidable gifts as a prolific painter and printmaker are long overdue for a scholarly re-evaluation in America.

$350

Nathaniel Hawthorne Posing with a Formally Dressed Gopher, Etching & Aquatint, ca. 1975, AAA ed. of 250, 9-3/8 x 12-1/8, signed and inscribed AP in pencil, with the printers blindstamp lower right corner, on Arches Buff wove paper.A delightful and detailed fantasy by Corrigan, well known for his complex satirical etched portraits of noteable historical figures.

$350

Enee Aux Enfers, Hand Colored Lithograph, 1841-2, from "Histoire Ancienne", DR. 941, printed by Aubert & C., 9-11/16 x 7-13/16, on cream wove paper, a 1" repaired tear bottom margin center edge. That Daumier was known to indulge in a little black humour, albeit moral or political, is an understatement. His humour retains it's sharp edge today as in his own.

$100.

Four Caribes, Color Lithograph, 1961, ed. of 30, L.&O.548, stated ed. of 35 plus proofs, printed at Desjobert, Paris, 19-3/8 x 14-15/16, signed, titled and no. in pencil, on cream wove RIVES BFK paper, trace of a mat line and trace of glue residue from previous hinges top margin recto edge. A bold and colorful print by the artist.

$350

Highland Light, Drypoint, ca. 1920's-40's, ed. unknown, 4 x 4-7/8, sighned and titled in pencil, on thick cream wove paper. Albert Edel was a Provincetown based painter and etcher most active from the 1920's-40's. He specialized in scenes of the landmarks, fishermen and wharves of PTown, and was married to Stella Johnson Edel, an artist well known for her white line color woodcuts.

$125

Pont Louise-Philippe, Paris, Gouache, ca. 1940's-60's, 9-9/16 x 13-1/2, signed in pencil. on tan wove paper, an invisible expertly repaired 1" tear at upper right edge.

$175

In The Last Day The Sea Will Be Master, Wood Engraving, ca. 1920's, ed.unknown, 3-13/16 x 2-9/16, signed in pencil, initialed and titled in the block, on thin cream laid japan with inclusions. a few touches of stray ink in the margins from printing.

$325

Finger and Rose, Wood Engraving, 1925, ed. unknown, 1-13/16 x 1-3/8, signed in pencil, on thin cream laid japan with inclusions, an evenly printed impression. This print was illustrated on p. 25 of Migratory Urge, the artist's finest book, published in 1925.

$175

Two Birds and Branch,1920's, ed. unknown, 3-5/8 x 3-1/8, signed in pencil, on thin cream laid japan with inclusions, a variably inked impression due to a large fiber inclusion at lower left, a small professionally reinforced paper flaw at upper left, with small rust stains from paper clips at right outer margin edge. Despite this, a charming image.

$125

Two Dancers, Wood Engraving,1920's, ed. unknown, 3-1/4 x 3-5/8, signed in pencil, on thin cream laid japan with inclusions, a variably inked impression, rust stains from paper clips at right margin edge, diagonal handling crease in the large bottom margin.

$150

Hands and Horn, Wood Engraving,1920's, ed. unknown, 2-3/8 x 3-1/16, signed in pencil, on thin cream laid japan with inclusions, an evenly printed impression.

$250

Dans le Theatre, Lithograph, 1893, from Le Cafe Concert, a presumed edition of 50, 14-1/8 x 9-1/4, on smooth, grayish wove paper. The image area is fresh save for two small pale stains to lower right image corner. The margins appear full and original, with two short repaired edge tears at left and right bottom edge, small creases at corners, and a tiny loss to tip of bottom right corner. Henri de Toulouse Lautrec also contributed 11 prints to this same portfolio.

$150

Dragging Nets, Wood Engraving, 1951-2, ed. 150, BPL 621, from The Frank C. Brown Collection of North Carolina Folklore, Part I, p.632-3, 7-1/16 x 4-7/8, on thin cream simili japan paper, traces of old glassine hinges in margin corners, very slight toning within mat opening.

$650

The Bather, Wood Engraving, 1934, ed. unknown, 6-1/2 x 6-1/2, signed and titled in pencil, on cream wove paper with a Crown & Shield watermark. A charming nude by the artist, well known for his midwestern subjects.

$550

NY Skyscraper, Etching, printed in brown ink, 1928, ed. unknown, 16-3/4 x 9-7/8, signed & dated in pencil, on thin cream wove simili vellum paper. A large and impressive N.Y. work by the artist, the exact subject of which after much sleuthing has still eluded me.

$500

Mountain Forms, Etching, 1929, ed. of at least 33, 1-5/8 x 3-13/16, signed, titled, dated and dedicated in pencil, on thin buff simili parchment paper. Light toning within mat opening. This print likely depicts the weathered mountains around Taos, New Mexico.

$300

Still Life, Drypoint, ca. 1907, total ed. of 455, as published in "Du Cubisme", 1947, by La Companie Francaise des Arts Graphiques, plate 9, 7 x 5-1/16, signed and dated in the plate, with "F. Picabia Pointe Seche" verso lower right corner in letterpress, on cream wove paper, a small handling soft fold upper left margin edge. Ex coll. George Binet.

$850

Tugboat at the Pier, (N.Y. Harbor). Watercolor and Pencil, 1942, 19-5/8 x 24-1/2, signed & dated in pencil, on a full sheet of J. Green & Son white watercolor paper. old mat line, foxing to sky and some fading of blue pigment, noticable under edges of mat. This large and dynamic precisionist watercolor of an iconic N.Y. Tugboat was previously exhibitied by the American Watercolor Society. Included is a 1940's-50's typed exhibition label from Art for Industry/New York held at 663 5th Ave. Works by Powell are in the collections of the Smithsonian, Brooklyn Museum and Butler Institute, among others.

P.O.R.

William T Sherman Monument, 5th Ave., NY, Etching & Aquatint, no date, ed. unknown, 7 x 4-1/2, signed in pencil, on thin cream laid paper. An unusual medium for Ruzicka, who chose to etch an evening view of this famous St. Gaudens 5th Ave. landmark with it's gilded bronze glistening in the dark. I have seen no other aquatint by the artist.

$400

(Court Figures with Statues), Color Wood Engraving, no date, ed. unknown, 5-5/16 x 3-1/2, signed in pencil, on thin cream wive FRANCE watermarked paper. A few tiny pale stains in the upper margin, barely there.

$175

(Curving Road Between Buildings), Etching, 1985, ed. of 150, 6-1/4 x 3-3/16, signed, dated & no. in pencil, on thick cream wove paper. A very detailed and pristine traditional landscape view by this modern Japanese printmaking master.

$225

Portrait of Chauncey F. Ryder, Etching, 1940, ed. of at least 50, 7-15/16 x 5-15/16, signed with initials and dated in the plate and signed, titled and numbered in pencil, with an old price in pencil at lower left corner, on cream wove paper with small uneven margins of at least 5/8, tack holes to top corners, likely printed that way by the artist. A gentle and reflective portrait of the important American landscape painter and printmaker.

$150

Winter, Lithograph, ca. 1940's, ed. 35, 9-5/8 x 13-7/16, signed, titled & numbered in pencil, on warm white wove paper, old hinge corners verso, two tape stains from previous hinges top margin edge recto, some handling creases, two professionally repaired short edge tears at bottom outer margin edges well away from subject. A beautiful winter scene with a dramatic recession into space and a deft modulation of close values by Winzenreid, who was associated with the Woodstock art community.

$150

Old Shop, Etching, 1930's-40's, ed. unknown, 8-7/8 x 11-1/4, signed & titled in pencil, on thin cream wove paper, with pale mat line and very pale glue stains in the full margins.

$250