Ca' d'Oro, Etching, 1913, ed. ?, 9-1/16 x 11-7/8, signed and dated in the plate, and signed and dated in pencil, on a thick cream laid paper with a partial watermark and full margins, one very pale spot of foxing at the lower left margin edge. A crisp, well inked impression of this lankmark Venetian subject by Roth, whose Venetian prints are currently the subject of a traveling exhibition organized by Eric Denker of the National Gallery of Art, and opening May 2012 at The Mattatuck Museum in Waterbury, CT. This noteable print is featured on the cover of Mr. Denker's substantial catalogue, newly published to accompany this excellent exhibition. Ernest Roth resided in West Redding, CT for many years, and it is wonderful to see renewed interest and scholarly attention being focused on this important early 20th century American etcher and Connecticut artist of note.

$1,100

Stones of Venice, Etching, 1926, ed. ?, 13-1/2 x 9-3/8, signed, titled and dated 1926 in the plate, on cream wove WHATMAN 1883 watermarked paper, a minor printing crease at the lower left margin edge, some pale spots of foxing confined to the bottom and lower right margin edge. A crisp and well inked impression, with a selective veil of plate tone at the lower water's edge of this Venetian subject by Roth. Ernest Roth's Venetian prints are currently the subject of a traveling exhibition organized by Eric Denker of the National Gallery of Art, and opening May 2012 at The Mattatuck Museum in Waterbury, CT.

$500

Salute from the Giudecca, Venice, Etching, 1925, ed. ?, 10-5/16 x 6-3/4, signed and dated 1925 in the plate, on cream wove paper with a partial watermark, some spots of foxing well away from image, mostly in the top and bottom margins. A crisp and well inked impression, with a graded veil of plate tone towards the bottom water's edge of this Venetian subject by Roth. This print is notably Whistlarian in it's spare treatment, large blank spaces and vertical format. Ernest Roth's Venetian prints are currently the subject of a traveling exhibition organized by Eric Denker of the National Gallery of Art, and opening May 2012 at The Mattatuck Museum in Waterbury, CT.

$500

Piaza Firenze, Florence, Etching, 1933, ed. ?, 9-15/16 x 9-5/16, signed, titled and dated 1933 in the plate, on cream laid paper with a partial watermark, a few tiny spots of foxing well away from image in the outer margins. A crisp and well inked impression. Ernest Roth's Italian prints of Venice are currently the subject of a traveling exhibition organized by Eric Denker of the National Gallery of Art, and opening May 2012 at The Mattatuck Museum in Waterbury, CT.

$375

Sospel, Etching, 1950, ed. ca. 100, 8-15/16 x 11-15/16, signed & titled in the plate, signed & dated in pencil, on cream wove paper, toned in mat opening.

$550

Approach to Segovia, Etching, 1921, ed. unknown, 4-15/16 x 11-5/8, signed in the plate, signed & dated in pencil, on cream laid japan paper, toned in mat opening. An original label from Frederick Keppel & Co. accompanies this print.

$425

Abbeville, Etching, 1915, ed. unknown, 7-1/2 x 7-3/8, signed & dated in the plate, signed, titled & dated in pencil, on cream laid japan paper.

$275

Temple Beth El, from Central Park, New York, Etching, 1924, ed. unknown, 13-7/8 x 10-1/2, signed & dated in the plate, signed, titled & dated in pencil, on cream laid japan paper.

SOLD

Redpath Museum, McGill University, Montreal, Etching, 1945, ed. unknown, 7-11/16 x 10-7/8, signed & titled in the plate, on cream wove paper, very faint mat line.

$75

The Wheelwright Shop, New Rochelle, New York, Etching, ca. 1920's, ed. unknown, 9-15/16 x 12, signed, and titled and numbered 24 in the lower margin, on cream laid F. G. Head & Co. Hand Made paper. A beautiful impression of this print.

$400